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Google trend - Bill Viola

Les ralentis de Bill Viola s'étirent vers l'éternité

Pionnier d'un art vidéo spectaculaire, fait de formats démesurés et de cadences à peine perceptibles, Bill Viola est mort vendredi à 73 ans, chez lui à Long ...

Read more at Libération


Mort de Bill Viola, pionnier de l'art vidéo

L'artiste états-unien s'est éteint des suites de la maladie d'Alzheimer à l'âge de 73 ans. ...

Read more at L'Humanité


Bill Viola - 10 things to know with detail
  • Bill Viola is a renowned contemporary video artist known for his immersive and emotionally impactful works.
  • He was born on January 25, 1951, in New York City, and studied at Syracuse University in the 1970s.
  • Viola's works often explore themes of life, death, spirituality, and the human experience, using slow motion and high-definition technology to create visually stunning and meditative pieces.
  • He has exhibited his work in major museums and galleries around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Guggenheim Museum in Bilbao.
  • Viola's installations often incorporate sound, music, and physical elements to create a multisensory experience for viewers.
  • He has received numerous awards and honors for his work, including a MacArthur Fellowship in 1989 and the Japan Art Association's Praemium Imperiale in 2011.
  • Viola's work has been described as a fusion of video art and traditional painting, drawing on both the aesthetics of Renaissance painting and the technology of contemporary video.
  • He often collaborates with his wife, artist Kira Perov, who serves as the executive director of Viola's studio and helps to produce and install his works.
  • Viola's pieces have been shown in a variety of settings, from intimate gallery spaces to large-scale installations in public spaces and cathedrals.
  • His work is celebrated for its emotional depth, technical innovation, and spiritual resonance, inviting viewers to contemplate the mysteries of existence and the passage of time.
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